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  Laura Splan

   


SplanTitle


Sept. 30, 2006 - Jan. 15, 2007
The New York Hall of Science
Organized by
Art & Science Collaborations, Inc. (ASCI)
Curator: Cynthia Pannucci, ASCI Director

Artist Reception: Sept. 30, 2-4pm




Doilies [a series of five images], 2004
computerized machine embroidery with thread, velvet, wood, plexiglas
16.5" x 16.5" each framed; edition of 10 + 2 AP


[From top, left , above;
click on each for larger image]
Human Immunodeficiency Virus
Hepadna Virus
Herpes Virus
SARS Virus
Influenza Virus

Doilies is a series of computerized machine embroidered doilies mounted on black velvet.  The design of each doily is based on a different viral structure.  The lace doily has traditionally referenced designs and motifs from nature.  Furthermore, these decorative objects would be heirlooms, handed down from one generation to the next.  The work explores the “domestication” of microbial and biomedical imagery.  Many recent events, epidemics, and commercial products have brought this imagery into our living rooms, kitchens, and bathrooms.  Bio-terrorism, SARS, and antibacterial soaps alike have all heightened our awareness of the microbial world.  Doilies serve as a metaphor for the way we have adapted our everyday lives to these now everyday concerns.  Here domestic artifacts and heirlooms manifest the psychological heredity of our cultural anxieties.


[click top images for larger versions]

BonePlates-left    BonePlates-Right
Bone Plates, 2005, 12” h x 12” w [with details]
blood, archival pigment inkjet print on Tuscan Rag fine art paper

Bone Plates is a series of inkjet prints on watercolor paper combined with drawings.  The photographic inkjet images are of various surgical bone plates used to assist in healing skeletal fractures.  The drawings are rendered on top of the prints with a fine pen using a small amount of blood collected from the artist’s fingertip.  The delicate nerve-like forms are entwined among the surgical bone plates, a synthesis of the organic and inorganic.


[click on each image for larger version]

thought8a ws  thought7a ws  thought6a ws

thought5a ws   thought1a ws
Thought Patterns, 2003, 12” h x 12” w
blood on watercolor paper

Thought Patterns [above] and Reflexive [below] are drawings inspired by neuroanatomical structures.  Each was drawn with a fine pen using a small amount of blood collected from the artist’s fingertip as an ink-like medium.  They are a formal exploration of the elements of our body that tell us we sense pain or pleasure.  We respond to these sensations in a way that we often have no control over.  Bleeding itself is an involuntary response of sorts to the penetration of the skin.  The images evoke the complex psychological and physiological responses our body has to outside forces.  The forms serve as visual metaphors for the extreme intricacy and delicate fragility of the human body.



Reflexive
, 2004, 40” h x 40” w
blood on Arches Aquarelle watercolor paper



ARTIST STATEMENT

My work explores perceptions of beauty and horror, comfort and discomfort.  I use anatomical and medical imagery to explore these dualities and our ambivalence towards the human body.  I often combine scientific images and materials with more domestic or familiar ones.  The ornamentation of wallpaper or the design of a doily lends a sort of relief in its pleasing pattern.  Meanwhile, blood and viruses often trigger our anxieties about human mortality.  The juxtaposition of such imagery creates a dichotomous experience that fluctuates between seduction and repulsion, comfort
and alienation.

I am inspired by the inherent qualities of a material or process.  I enjoy the experimentation that goes into the discovery that the consistency of blood allows its use as ink.  Deciphering the narrative implications and poetic possibilities within these qualities is an important part of my practice.  I am interested in an exploration into the historical and contemporary meaning that a culture projects onto an object or image as well as in an investigation into its technical attributes.  It is important that the work be reflexive and self-contained -- how not only the form of an object can reveal meaning but also the materials and process by which it was made.
- Laura Splan; Brooklyn, NY; 2006
  

  To view more of Laura's work, read bio & resume, etc:
  http://www.laurasplan.com


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