COLLABORATING INSTITUTIONS



This year we invited prominent international institutions working in the field of artscience practice to help produce the event as a future model for self-sustainability. We are grateful for their involvement and support:

 

Arts Council of England [Collaborative Arts Unit]
http://www.artscouncil.org.uk

The Arts Council of England is responsible for developing, sustaining and promoting the arts in England. The work of the Arts Council’s Collaborative Arts Unit covers a range of interdisciplinary arts practice, including new forms emerging from the interactions of art and technology, and art and science. We work collaboratively with partners inside and outside the funding system, investing in research and exploring new development opportunities through major initiatives as well as in collaboration with smaller organisations and individual artists. We build up and distribute models of good practice in methodologies and structures that support the development of collaborative arts both nationally and internationally.

 

Arts Department, Rensselaer Polytechnic Institute, Troy, NY
http://www.arts.rpi.edu

The iEAR Studios is a state-of-the-art facility supporting the unique programs offered by the Arts Department, which currently include a BS in Electronic Arts, a BS in Electronic, Media, Arts and Communication (EMAC) jointly with the Department of Language, Literature and Communication, and an MFA degree program in Integrated Electronic Arts. Located in Troy, NY, the facilities of the iEAR Studios support classes and creative work in the electronic arts. The Arts Department also supports traditional art and music facilities and offers courses in drawing, painting and sculpture, in theater, and in music history, theory and performance.

 

Australian Network for Art & Technology [ANAT]
http://www.anat.org.au

ANAT is Australia's peak network and advocacy body for artists working with technology. The role of ANAT is to advocate, support and promote the arts and artists in the interaction between art, technology and science, nationally and internationally. ANAT organises programs with a focus on research and development as well as establishing collaborative partnerships - creating opportunities for artists and supporting the continuing evolution of Australian new media practice. ANAT membership is open to the national and international media arts community, and provides information on the sector through our website, email digest and quarterly newsletter. ANAT members are also entitled to apply for Conference and Workshop funding and have access to our library and database resources.

 

Banff New Media Institute (BNMI), Banff Centre, Alberta, Canada
http://www.banffcentre.ca/bnmi

Founded in 1995, the Banff New Media Institute acts as an international catalyst for convergence, innovation and collaborative research in new media. Fundamental to BNMI is the belief that all forms of technology are designed, and that the creative sector, art and cultural industries, in collaboration with science, social science and humanists have a critical role in developing technologies that work for human good. Hence, we explore human centered interface design, bringing together advanced visualization research, the development of collaborative tools and environments and true cross-disciplinary investigation. We feel it is imperative, at this junction in the evolution of networks, interfaces and their use, to focus on the human experience of technology. These applications are far-reaching, with effects in art, entertainment, learning and health.

 

Leonardo/ISAST (International Society for Art, Science, & Technology)
http://mitpress2.mit.edu/e-journals/Leonardo/metapage.html

Published by the MIT Press, LEONARDO is today's leading journal for anyone interested in the application of contemporary science and technology to the arts. Published bi-monthly, LEONARDO features peer-reviewed, illustrated articles by artists as well as editorials, historical and theoretical perspectives, technical articles, galleries, reviews and more. Topics range from multimedia to music/sound art, kinetic art, performance art, language, environmental and conceptual art, computers and artificial intelligence, and legal, economic and political aspects of art. By focusing on the writings of artists themselves, the journal continually seeks to ensure that the artist's voice will be integral in the development of new technologies.
The companion journal LEONARDO MUSIC JOURNAL, including audio CD, is published annually. LMJ, featuring peer-reviewed writings by composers, sound artists, researchers and theorists, is committed to providing a forum for the international community of independent artists and scholars whose work extends the boundaries of musical and artistic disciplines in new and provocative ways.

For subscription information please contact: MIT Press Journals, Circulation Department, Five Cambridge Center Cambridge, MA 02142-1493, Tel: (617) 253-2889, Fax: (617) 577-1545


The SMARTlab Centre, The London Institute & The Radical Project

The SMARTlab is a research incubator and production centre which develops projects in live and media arts using innovative digital technologies. The tools and productions created by the SMARTlab aim to develop a digital seedbed to support live international interaction and lifelong learning support, to bring a wider cross-section of communities into the 'knowledge economy'. It has developed the SMARTshell technology platform which, by using a set of customised linked software packages, provides: a dual platform (Mac and PC), multi-scaleable (for old and new equipment, low and broad-bandwidth) web-supported toolkit for interactive learning, arts and performance, and community outreach in arts and cultural creativity. The SMARTshell moves beyond the traditional one-to-one video conferencing model, encouraging group discussion and collaboration online The fact that the system is customised and moderated makes it particularly suited to projects for children, women, or social groups that need privacy.

The SMARTshell is already in use in a range of test projects in the developed and developing world, offering a series of online SAFE-SMARTspaces and Global Classrooms. The SMARTlab and SMARTshell could be useful to you if you:
- are developing on-line learning or performance/cultural exchange environments;
- need training or creative direction in community building, language leaning, entrepreneurial or creative arts and industry innovation,, or empowerment techniques and communication skills;
- want to explore how live events can be translated to and shared with the on-line world;
- seek to engage with technology tools and projects with people at the centre, and with content created and shared globally.

The RADICAL Project of the European Commission's Information Society Technologies Programme.www.get-radical.net
Director: Dr Lizbeth Goodman of the SmartLab & Radical Project.
tel. m - 07900 691604

School of Art & Design, University of Michigan

The University of Michigan School of Art & Design programs address the
unity of the cultures and methods of art and design. Taking advantage of its location within a major research university, the School seeks to
develop graduates capable of achieving cultural leadership and being
productive in a variety of public and private roles within a global context
of rapid change. Our aims are to connect the poetic and the practical;
integrate the personal and the social; balance the creative with the
intellectual; promote awareness of context from atom to universe, from self to all of life; and foster both established and experimental approaches.

 

Science and the Arts Program, CUNY Graduate Center

This unique series presented year-round at the CUNY Graduate Center in New York City, bridges the two worlds of science and art. Expert speakers and performers will present clear, entertaining and informative examples of the interplay of science and the arts in dance, art and theater. The Series curator is physicist Brian Schwartz: (212) 817-7521, bschwartz@gc.cuny.edu

Series Details: http://web.gc.cuny.edu/ashp/nml/artsci The Science and the Arts series is presented by the Science Center and is part of the Continuing Education and Public Programs at The Graduate Center.

Address: The Graduate Center, 365 Fifth Ave (at 34th Street)

Phone: (212) 817-8215;

e-mail: continuinged@gc.cuny.edu

web address: http://web.gc.cuny.edu/cepp

 

SINAPSE, Department of Design | Media Arts, UCLA Social Interfaces and Networks | Advanced programmable Simulations and Environments
http://sinapse.arts.ucla.edu

The successful research University of the future recognizes that the future requires creating an environment of digital adventure and fostering an emerging culture that encourages exploration and fosters relationships beyond traditional disciplines. SINAPSE is designed to enhance collaboration and communication by serving as a juncture with other UCLA Centers and Institutes as well as national and international institutions. Streaming media is used to connect SINAPSE electronically with other centers doing research related to digital media and willing to partner with SINAPSE. At UCLA, these nodes include the Center for Digital Innovation, the Brain Research Institute, the California NanoSystems Institute, the Center for the Study of Evaluation, and the Center for Computational Social Science. Directed by Katherine Hayles (Humanities), Jim Gimzewski (Sciences) and Victoria Vesna (Arts)

 

ArtSci2002 is also supported in part by an award from the National Endowment for the Arts / USA.