Robin Locke Monda, New York City, USA


Polaris Pavilion by Robin Locke Monda, 2001, 37" x 26", Epson 1520 Color Stylus print on water color paper





Artist Statement:

This print is the result of musings on the role of time in the creative process. It is a major element in artistic and scientific processes. Artist and scientist alike are affected by perception, which occurs over time and is reflected upon in memory. Patterns are revealed over time, through observation and experimentation. Our measurements often depend on units of time anchored in the movement of mechanical or digital devices, which in turn, are based on our interpretations and observations of the sun, the stars, the planets in motion.

Robin Locke Monda
www.artincontext.org/artist/l/robin_locke_monda/

Recent Exhibitions:

ONE-PERSON SHOWS

  • 1994 "High Anxiety: Sexual Anxiety, Domestic Dis-Ease" Newhouse Gallery of Contemporary Art Access Gallery, Snug Harbor Cultural Center, Staten Island, NY
  • 1991 "New Work," The Art Lab Gallery, Snug Harbor Cultural Center, Staten Island, NY
  • 1990 "Absurd Anatomy: Wounds or Sliced Ham?" 55 Mercer Gallery, New York, NY

GROUP SHOWS

  • 2001 "AOS Faculty Exhibition," Pratt Manhattan Gallery, New York, NY
  • 2001 "The Past is Still Here," Newhouse Gallery of Contemporary Art, Staten Island, NY
  • 1998 "1998 New York State Biennial," The New York State Museum
  • 1997 "In Situ," Snug Harbor Cultural Center, Staten Island, NY
  • 1994 "Single Cel Creatures: Cartoons and Their Influence on Contemporary Art,"
  • 1994 "CRASH: Nostalgia for the Absence of Cyberspace," Thread Waxing Space
  • 1993 "Women and the American Dream Machine," College of Staten Island (CUNY)
  • 1992 "Dance of the Mating Spiders, "Herron Test Site, Brooklyn

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